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These useful bits of gear aren’t usually bigger than a pack of cards, therefore, are super portable making them perfect for fieldwork and working on the go, as well as having a permanent feature in your studio. They are fitted with a female XLR connector for your passive microphone, and a Male 3-pin XLR to connect the mic preamp to the interface, console, or XLR cable depending on how you want to configure your set-up. Dynamic microphones are more suited for rejecting sound from further away.
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"Condenser mics typically have a higher output, so why not use one of those?"ĭynamic mics typically tend to be more durable than condensers, but more importantly, when you’re recording voiceovers, podcasts, reporting or broadcast, it’s important to have a clean signal, free of background and ambient noise. It’s the perfect way to add a transparent gain boost to your signal without adding noise or colouration, meaning that you can use a much lower gain setting on your device’s input. It’s an active pre-amp that’s designed for passive ribbon and dynamic microphones. "To solve that problem, you can boost your microphone before it hits your console or interfaces so that you don’t overload your input."Īn inline mic pre is a booster that sits in-between your microphone and the input on your interface or mixer. If you have a gain hungry microphone such as a Shure SM7B, Electro-Voice RE20 or Imperative Audio VOCaster Pro, you will find yourself having to crank the gain on your interface or console, sometimes all the way up to get the desired signal level, but when you add that much gain on your interface you will also be adding noise, an unwanted audible hiss. These devices help you match the signal, happy recording everyone. Not all microphones and consoles play well with others. These devices originally came into action to help solve the problem of working with mismatched gear, especially vintage microphones. Some options are the Cloud Microphones’ Cloudlifter, Triton Audios FETHead, Imperative Audio’s FETpre FP1 and SE Electronics Dynamite DM1. For lack of a better term, they are a pre-pre-amplifier. What is an inline mic preamp? Sometimes known as an inline mic-activator or gain exciter.